Saturday, March 21, 2020

Free Will and Fate free essay sample

Everything in life happens for a reason, may it be the choices made or the destiny fulfilled. Along the way though many people offer advice that affect choices made, was it fate that they gave their input? Is it free will to take or not to take that advice? Homer’s epic poem, The Odyssey demonstrates that despite warning, characters often use their free will to make choices that in the end actually fulfill their fate. Primarily Aegisthus’s refusal to acknowledge the gods warning, serves as the first example of mankind using her own free will to bring her destiny to fruition. Hermes tells Aegisthus not to sleep with Clytemnestra and not to kill Agamemnon, but he does so anyway, and so Orestes kills Aegisthus as revenge. Aegisthus received warning from the gods, they told him â€Å"far in advance†¦Ã¢â‚¬â„¢don’t murder the man†¦ don’t court his wife†¦ revenge will come from Orestes’† (Homer 1. We will write a custom essay sample on Free Will and Fate or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page 45-48) and the predicted outcome came true –Aegisthus was killed. The Gods warned Aegisthus of what his fate held, and in utilizing his free will he chose to ignore this advice and his fate became reality. It is â€Å"with [each characters] own reckless ways heir pains [are compounded] beyond their proper share† (Homer 1. 39-40); meaning that committing reckless actions will result in possible calamitous outcomes. Aegisthus chose to kill Agamemnon, he chose to court Clytemnestra, he chose to ignore the advice from the gods, and so he ended up destroyed fulfilling the fate of receiving pain thanks to his own reckless behavior. Likewise, Homer clearly comments on the tendency of humans disregarding warnings of potential hazards, through his inclusion of The Phaecians’ decision to ignore their prophecy and aid travelers resulting in fate fulfillment. The Phaecians’ were forewarned in a prophecy that â€Å"Poseidon was vexed with [them] because/ [they] escorted all mankind and never came to grief / [and]†¦ one day a well built ship of [theirs]†¦ [would be crushed]† (Homer 13. 196-200); Alcinous’s father received this prophecy years ago and gave no acknowledgement of the prophecy when time came to ship Odysseus back to Ithaca. As a result of The Phaecians’ seeing blind of the prophecy and escorting Odysseus back to Ithaca, their ship got crushed and mountains surrounded the port. When Odysseus determined that it was time for him to sail back to Ithaca, Alcinous had no hesitation in assisting him. Alcinous â€Å"knew [that Odysseus] wouldn’t be driven /off†¦course, [that] nothing could hold [him] back† (Homer 13. 5-7), but what he knew and ignored was the free will choice he made to neglect the prophecy and allow the fate of himself and his fellow Phaecians to end in destruction just as it was destined to be. Similarly, Amphinomus reflects the human quality of free will leading to fate as he acquired purposeful advice from Odysseus (the beggar), yet he continued his pursuit of Penelope, and ended up dead. Amphinomus received potentially life saving advice from the one that ended up killing him, Odysseus, but his ignorance of the ‘vagabond’ and how insightful he was made him assume that he would â€Å"never suffer affliction down the years†¦ affronting the loyal wife of a man who won’t be gone†¦long† (Homer 18. 153-168) and so in the spirit of free will he continued to attempt to court Penelope all under the nose of Odysseus. Therefore, as Odysseus began his revenge Amphinomus was â€Å"fraught with grave forebodings†¦. /but not even so could he escape his fate†¦ Athena had bound him fast to death /at the hands of Prince Telemachus and his spear† (Homer 18. 77-179) as it had been destined to be. Cause: Amphinomus ignoring advice given to him that would potentially save his life Free Will†¦ Effect: Amphinomus is killed Fate. All in all, Homer’s The Odyssey display’s the idea that regardless of warning fate is decided by free will and vice versa. Aegisthus, The Phaecians, and Amphinomus all received warning, and utilizing their free will they all chose to take a separate path one that led to ultimate fate. ‘Fate leads him who follows it, and drags him who resists. ’

Thursday, March 5, 2020

Schubert essays

Schubert essays Symphonies, chamber music, operas, church music, and over 600 songs outline the magnificent yet short-lived career of Franz Peter Schubert. Born to immigrant parents on January 31, 1797, in Vienna (McKay 1), this son of a schoolmaster showed an extraordinary childhood aptitude for music studying the piano, violin, organ, and voice. At the age of seven, he began a course of regular music instruction. It soon became evident that he had anticipated and mastered the principles that his instructor proposed to teach him. At eleven years of age and gifted with a fine soprano voice, Schubert became employed as a solo singer and violinist for the choir at the local parish church (Boynick). Later he was elevated to chorister-boy at the Chapel Royal and, having acquired fair proficiency as a violin-player, became a member of the school orchestra where he executed the great Symphonies of Haydn, Mozart, and subsequently Beethoven's works. In 1810, Schubert wrote a grand fantasia for four ha nds - the so-called Corpse Fantasia. This was followed in 1811 and 1813 by two other less ambitious fantasias. By early 1814, he had already written his first symphony and a three-act opera. Although family pressure dictated he teach in his father's school, Schubert continued to compose prolifically during his private time at home. Between 1814 and 1815, the composer wrote feverously resulting in more than a hundred songs, half a dozen operas and melodramas, not to mention three masses, two more symphonies, chamber music, and music for the piano. Some of the greatest works written during that period include Gretchen am Spinnrade and Erlknig. He applied particular energy to the composition of ballads on an extended scale including Emma and Adelwold the lengthiest vocal piece that Schubert ever wrote (McKay 39). In 1816, he wrote his Symphony in C minor, known as the Tragic Symphony, the Symphony in B-flat major, addition...